
182 pages, including a 6-page foldout
Hardback and jacketed
28.0 x 22.5 cm portrait
With over 300 colour illustrations
ISBN 978-1-908970-04-6
January 2013
£24.99 / US $40.00 / €32.00
On the front jacket
Image concept: Dewynters in collaboration with the National
Gallery; Design: the National Gallery; Photographer Chris Nash; copyright
© 2013 the National Gallery
Special edition
Limited edition of 250 copies
Presented with three original artists’ prints in a clothbound clamshell case, handmade in Italy
Chris Ofili, Design for Backcloth for Diana and Actaeon (Royal Opera House), 2012, archival pigment print on 300gsm Somerset Photo Satin with decal edge, 22.2 x 41.9 cm
Conrad Shawcross, Royal Opera House print, 2012, archival pigment print on 300gsm Somerset Photo Satin, 35.5 x 43 cm
Mark Wallinger, Trespass, 2012, archival pigment print on 300gsm Somerset Photo Satin, 29.7 x 40.8 cm
ISBN 978-1-908970-07-7
£750.00 / US $1200.00 / €900.00 plus postage
Please contact us for further details of the limited edition and how to buy a copy.







All photos of limited edition by Dan Welldon
www.danwelldon.com
Edited and introduced by Minna Moore Ede
Foreword by Dame Monica Mason
Photography by Gautier Deblonde, Andrej Uspenski and Johan Persson
This beautiful publication celebrates a unique collaboration between two of London’s greatest cultural institutions. Together The Royal Ballet and the National Gallery commissioned three acclaimed contemporary artists – Chris Ofili, Conrad Shawcross and Mark Wallinger – to work with international choreographers and composers to create three new ballets inspired by the Titian paintings Diana and Callisto, Diana and Actaeon and The Death of Actaeon. As well as designing all the sets and costumes, the artists also produced new works in response to Titian’s masterpieces for a show at the National Gallery.
The book tells the story of this extraordinary, complex project from conception to stage and gallery. The artists’ notebooks, sketches and other material from the studio are reproduced to show how they evolved their initial ideas into working designs. Numerous views of the dancers’ rehearsals, the creation of the sets and the gallery installations, as well as dozens of unseen photographs of the performances themselves, take the reader behind the scenes to see the many processes and people involved in transforming the artists’ vision into a finished production.
All three creative teams offer their own reflections on the project and on working with very different art forms. An introduction by National Gallery curator and originator of the project, Dr Minna Moore Ede, explains how the collaboration came to fruition and unfolded. A foreword by Dame Monica Mason, outgoing director of The Royal Ballet, completes this stunning volume.
'So compelling that you find yourself totally absorbed within its pages for hours at a time… Page after stunning page of production photographs and rehearsal images from each of the ballets awaits you, printed on lusciously thick paper. This book is a real treasure.' — Ballet News
'A book that will excite dance fans because its numerous images are so beautiful' — London Dance
'One of the most extravagantly interesting collaborative projects ever seen at Covent Garden … Some kind of history had been made, some benchmark set for the future … the dance event of 2012' — Guardian
'A resounding success … a real joy' — New York Times
'An explosion of brilliant new work' — Time Out
Dr Minna Moore Ede is Assistant Curator of Renaissance Paintings
at the National Gallery, London, and curator of ‘Metamorphosis:
Titian 2012’
Dame Monica Mason DBE is the former Director of The Royal
Ballet, London
The creative teams
Diana and Actaeon Will Tuckett, Liam Scarlett, Jonathan Watkins, Chris Ofili and Jonathan Dove, with a libretto by Alasdair Middleton
Machina Wayne McGregor, Kim Brandstrup, Conrad Shawcross and Nico Muhly
Trespass Christopher Wheeldon, Alastair Marriott, Mark Wallinger and Mark-Anthony Turnage
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Royal Opera House
Metamorphosis: Titian 2012
National Gallery
Metamorphosis: Titian 2012
New York Times
Review of the performances
Guardian
Review of the performances
Evening Standard
Review of the exhibition
Telegraph
Review of the exhibition
Time Out
Review of the exhibition